Egor Konchalovsky – executive producer:

«The Interceptor» - widespread creatively different movie. I like how the filmmaker Maximov managed to avoid unnecessary cruelty which considerably shows in modern cinema while the subject was intensive and dynamic. Surprisingly, that the books of Golovachev were not filmed before - fantastic action with philosophical basis is very cinematic. Initially we wanted to avoid a trend on a masculine audience, therefore a basis of the film is not in the battle stages, but in questions which are wondered by the protagonist. These questions are actual for each of us - whose side do I take with? Is it necessary to contest with an evil and injustice? I am thankful to Vasiliy Vasilievich Golovachev for experience on such project. Without doubts, Vasiliy Golovachev – a hard-shell man, rigid in defending of his own position, but it seems to me, that just due to it this picture succeeded».

Finished international school of St. Clares in Oxford, business – college in Kensington, got the rank of master's degree of history of arts in Cambridge.
Participated in Russian projects:
Producer: «Our Masha and magic nut Krakatuk» (2009), «Moscow, I love you!» (2009), «Rosa for Elza» (2009), «Can food» (2007), «Escape» (2005), «Antikiller 2: Antiterror» (2003), «Antikiller» (2002), «Recluse» (2000)
Actor: «Tryukachi» (serial) (2007), «Can food» (2007), «Escape» (2005), «Antikiller 2: Antiterror» (2003),«Antikiller» (2002)
Producer:«Moscow, I love you!» (2009)
Scenario writer: «Antikiller 2: Antiterror» (2003)

Joint owner of studio PS TVC (Partner Studio TVCommercials).

http://www.imdb.com/name/nm0464847/

Vasiliy Golovachev, author of the novel «Smersh-2» and writer of scenario «The Interceptor», producer:

«As an author of scenario I like, that the film was made close to my understanding of reality. As a producer I like, that the film was finally completed. It is necessary to mark that the project «The Interceptor» has a lot of strong sides: magnificent cast and producer's work, work of operator and work of all film crew in general. As an author of scenario I wanted to create a correctly consistent social story, which should be inalienable from human and my own civil position. I think that readers which will become an audience, will know and understand me, in spite of very small volume of subject of novel «Smersh-2», which I succeeded to carry from a novel in a film. I am sure that to the producer of the film «The Interceptor» Konstantin Maximov succeeded to catch how an element of fantasy, element of surprise in this story influences on the reaction of a spectator».

He has been a member of Union of writers of Russia (and Ukraine) since 1983.He is an author of thirty five novels and thirty stories, reprinted (and reprinted till today) by hundreds of drawings. He repeatedly became the laureate of publishing bonuses and prizes. In 2005 the name of Vasiliy Vasilievich Golovachev was brought in Russian Book of records - as the author of 40 original books (complete works today; however, a 43-ya book has been already written for production).
He is an author of series of novels «The Interceptor». Here is the best-selling novel from this series, «Smersh-2», sold in Russia by drawing more than two million copies.

http://www.imdb.com/name/nm3043385/

Ulugbek Khamraev, director of photography:

Participated in Russian projects:
Operator: «Chuki-kuki» (2009), «Vixen for a champion» (2009), «The best film» (2008), «Orange sky» (2006), «Human- amphibia. Marine devil» (serial) (2004), «Arena» (2001), «Speaker» (2000), «Unique memory» (1998), «All around fallen asleep by snow» (1995)
Actor: «Revolution on instruction 107» (1982), «Diary, letter and first grade pupil » (TV) (1984)

http://www.imdb.com/name/nm1064076/

Oleg Nesterov, musical producer:

In 1988 Oleg Nesterov led the Moscow rock-group «Megapolis», he is a vocalist, a guitarist and a basic author of songs of this group today. In 1997 he began to be a producer of the project of Masha Makarova «Masha and bears». In a year(1998) he led in a sound-recording label «Bullfinches». During 10 years of existence of this label there were appeared more than 150 releases and different producer projects: among which: Nayk Borzov, «Undervud», «2H Company», «Fish-bone toys», «Grishkovec and Rollers» et al. The new name, which filled up this list, became Alina Orlova. As a musical producer Nesterov worked in the films «Down-House», «One love on million», «Nevalyashka» etc.

Konstantin Maximov, director:

«We tried to create the unique world which would incarnate in itself the fantastic ideas of novel of fantasist V.V. Golovachev. Certainly, it is very difficult to fit the volume of events of the novel at one and a half an hour of a film. But Vasiliy Vasilievich made a literary scenario himself, chose those fragments which he wanted to bring here, and I tried to show them maximally spectacle and interestingly. For me, as a director, it was important to tell a story about the coexistence of good and evil, to show what takes place with them in the world of people now, and what would take place in the nearest future. In the center of story you can see a hero who is able to do such things which we even can't imagine. He can do something greater in an order to change the present posture of affairs through the enlightenment, opening of his capabilities».

Studied in Danish Academy of arts. Worked in Danish design studio. In Denmark did a few theatrical performances. As a creative director took off commercial and musical rollers.

http://www.imdb.com/name/nm3042612/

Julia Orlova, producer:

«We hope that the film will be perceived as anything greater than simply next screen version of fantastic novel. In fact such questions as «Who are we? Where are we from? Where do we go?» are always actual. And the fact that frightful evil, unparalleled from the point of visualization, can live in the head of your former colleague and partner during all road, but not arrive from space in a flying dish, is more than original supposition. The worlds, created by Vasiliy Golovachev, were already asked to be filmed, and, I think, we timely incarnated what is so long was waited by the numerous admirers of his creation. But, certainly, design is not only for them but it is also for all judges of dynamic subject and good actor game. For the projectization we succeeded to attract the team of the real professionals. And we are truly proud of the result of our teamwork».

In 1996 he finished the faculty of journalism in MGU named by M.V.Lomonosov.
Advanced training/courses:
2008 - today – VGIK named by S.A. Gerasimov, producer faculty (CDPO)
2002 – Institute of Sales Promotion London Sales Promotion Specialist in Sales Promotion
2002 – Best Training – Trainings (in management, in work with a command, in staff management)
dotWork experience:
06.2006 – today - a leader of the producer company. Up to this she was a leader in marketing in large western and Russian companies.

http://www.imdb.com/name/nm3014707/

Vladimir Orlov, stunt coordinator:

«There were a lot of trick stages: falling of the hero from an airplane, pursuits on machines, fights, skirmish, beautiful battle stages which were improved by computer graphics later. Unfortunately, in Russia nobody knows much about the last technical achievements in area of raising of tricks. For «The Interceptor» we bought the special equipment which provides beautiful, «unreal» motion of people that is an analogue used by us, for example, in «Matrix», but only more modern».

He is one of the claimed bump artists and producers of tricks of Hollywood. He worked with such stars, as Kurt Russell , Nicolas Keidge, Jet Li, John Travolta, Viggo Mortensen, Russell Crowe. He finished the school of actor trade, played a few roles in the cinema.

http://www.imdb.com/name/nm0650131/

Igor Vdovin, composer:

«There was a little bit unusual task behind me. A producer wanted, that a timbre decision of audio material was out of sounding, without usual for the ear palette, as an orchestra, a piano, different electronic tools etc. At the same time, to experiment so bravely, using sound synthesis, was also sufficient risky, because music in the cinema has a goal not to surprise the spectator of its progressiveness or originality, but to underline (to support) what is going on the screen. That's why some time I searched any facilities for an interesting sound or, saying more correct, combinations of sounds, arranging a producer. One part of music for the film was synthesized through a granular synthesis and other modern technologies. Certainly, later they were computer-integrated in more soft arrangements and rhythmic sequences. Work was interesting and creative.

I hope that I succeeded to incarnate all ideas of movie planned by the creative group».

He is a founder of the group «Leningrad», sound - producer of the album of Zemfira «Vendetta», an author of a few releases of soft music, which are published in Europe.

Rewards:

Was nominated on "Nika" in a category "The best music for the film" after sound-track to the film "Rusalka" by Ann Melikyan.

http://www.imdb.com/name/nm0626540/